Saturday, October 30, 2010
A glimpse of my life
More Beauty
This room was made entirely of beautiful carved wood imported from Syria. It's totally amazing. A lovely place to have an important meeting! I'm always fascinated by mosaic tiles. These two shots were taken in another "important" meeting room.
This beautiful crafted bronze table features a beautiful sign which says, "no smoking"
Friday, October 29, 2010
My 2nd Favorite Breakfast place in the World
2010 Academic Games-AIS style
Monday, October 18, 2010
Postcard from Kuwait
Wednesday, October 6, 2010
Cul-tchure in Kuwait
Shaykha Hussah believes Iraqi leaders knew of the KNM and DAI collections in advance, for it took only until October for the Iraqi representative to the United Nations Educational, Scientific and Cultural Organization (UNESCO) to state that according to the terms of the 1954 Hague Convention— which exhorts combatant nations to remove art and antiquities from the theater of war—most of the KNM collections, all of the DAl's, and several hundred thousand books from the library of Kuwait University had all been moved to Baghdad. (In contrast, the less well known collections of the private Tareq Rajab Museum remained successfully hidden throughout the war.)
As Shaykha Hussah and the museum's curators later learned, Iraq sent a small group of archeologists from Baghdad's Iraq Museum with instructions to pack up the art collections as quickly as possible. Lacking proper museum-quality packing materials, the archeologists bought metal trunks by the dozen in the Kuwait market and stuffed them with often fragile collections of ceramics, metalwork and glass. In the absence of foam pads, the packers used rare medieval textiles to cushion one object from another during the 500-kilometer (350-mi) ride, over rough roads, to Baghdad. Once there, the cases were opened and their contents recorded to create an inventory that was later used in the recovery effort.
Amazingly, of approximately 7000 art objects moved, only about 200 were damaged or broken. And Katie Marsh, DAI's London director who coordinated the post-war recovery, says that of these "very few, perhaps 10," were beyond repair. Especially surprising were the glass objects, which had no new breaks—although several were found to have collapsed when the intense heat en route melted the resin that had been used to mend them in the past. Most of the carpets were found in perfect condition, in part because a textile conservator had come to Kuwait just before the invasion to examine and repair each carpet and wrap it in a specially-made linen case. Somewhat paradoxically, the worst superficial damage was suffered by the hardest objects—stone architectural fragments—because they were not individually wrapped, and they jostled against each other in the trucks.
DAI's library on Islamic civilization and art, estimated at more than 5000 volumes, was trundled off with similar haste. Groups of books were tied with cord, loaded onto trucks and later stacked in the basement of the Iraq Museum. "It was heartbreaking to see how filthy they were when we found them," recalls Marsh, "but [the Iraqi archeologists] did the best job they could under the circumstances."
In contrast to the clearing of the DAI, the Iraqi treatment of the KNM collections was less systematic. Although much of the archeological, ethnographic and historical collections went off to Baghdad, some items, from wooden Bedouin bowls to ornamental weapons and silver and gold jewelry, simply went missing.
"The collection was never systematically looted," says Marsh. The director of the KNM, Fahed al-Wohaibi, agrees, and believes that such items were likely taken by isolated Iraqi soldiers. Not so fortunate was the modern painting collection: Only a few paintings were taken to Baghdad.
The KNM buildings remained largely unaffected until the last two weeks of the occupation, in February 1991, when three of the KNM's five buildings, the old dhow and the planetarium "were deliberately set on fire," recounts al-Wohaibi, citing later investigations that revealed the use of gasoline or kerosene. The fire also gutted the interior of the DAI, destroying the only work of art left there, a massive pair of 14th-century carved wooden doors from Morocco that had proved too cumbersome to remove from the building. The fire in the KNM buildings destroyed remaining archeological collections and about half of the remaining paintings; the other paintings were smoked-damaged. The only significant collection that was entirely spared, al-Wohaibi says, was one of decorated wooden doors from the houses of pre-industrial Kuwait.
*NOTE: I stood in awe of these doors on Monday evening.
In March 1991, according to United Nations Resolution 687, the Iraqis were obliged to return all property that had been removed from Kuwait. With the UN facilitating the restitution, the first items to be returned were gold bars from the Bank of Kuwait, an exchange that took place in a portable shelter at the Iraqi-Saudi border.